Opheliaai 프롬프트:[Ancient Style Dressing Process | Red Dress Mu Peiling · Ancient Boudoir] Profes…

[Ancient Style Dressing Process | Red Dress Mu Peiling · Ancient Boudoir] Professional high-end ancient style portrait photography; 9:16 vertical full canvas, strict internal 3 columns × 3 rows grid, each cell size consistent, narrow and neat spacing; each cell mainly features full-body or near full-body composition, completely presenting the character, clothing, and dressing actions. Using the same adult Oriental female from the input reference image as the sole character subject. The reference image is only used to lock the character's facial features, hairstyle, body proportions, clothing design, clothing colors, patterns, materials, and final styling, without copying the white background, six-view character setting board, front/side/back views, or portrait layout of the reference image. The character maintains the adult Oriental female image from the reference image: black long hair, classical double-bun hairstyle, gentle and exquisite Oriental features, light makeup, dignified and soft feminine temperament. The nine cells always maintain the same face, same hair color, same body proportions, and character identity. The final clothing strictly refers to the complete costume design in the input image: an ancient style long dress with orange-red as the main body, a red close-fitting inner layer, a light beige-brown translucent outer long coat with wide sleeves, layered skirt structure, waist belt with exquisite metal decorations, overall presenting the characteristics of classical Tang-style female clothing. Strictly maintain the red-orange and beige-brown color scheme, clothing silhouette, sleeve type, skirt type, patterns, fabric transparency, and decorative details from the reference image, without independently modifying it into Song-style, Ming-style, modern clothing, or Xianxia clothing. The nine cells represent the same adult woman continuously completing the entire set of clothing in an ancient woman's boudoir: Cell 1: Wearing only traditional ancient Oriental women's inner garments, the upper body is a plain ancient bodice style, the lower body is matching plain ancient underwear, using ancient fabrics and traditional clothing structures, simple and elegant; black long hair is naturally draped, the final double-bun hairstyle is not yet completed, outer clothing and decorations are not worn, standing next to a wooden clothing rack preparing to change. Cell 2: On the basis of the existing ancient inner garments, put on the red-orange close-fitting inner top from the reference image, retaining all clothing from Cell 1. Cell 3: Put on the red-orange main long skirt from the reference image, tidying the waist and hem, forming a complete inner clothing layer. Cell 4: Step into the light beige-brown translucent outer long coat, naturally putting arms into the wide sleeves, maintaining all previous clothing. Cell 5: Complete the wearing of the translucent outer robe, tidying the wide sleeves, lapel, and layered skirt hem, making the clothing silhouette from the reference image fully presented. Cell 6: Tie the waist belt and metal decorations from the reference image, tidying the waist and lapel in front of the vanity mirror. Cell 7: Tidying the outer long coat and skirt hem, adjusting the wide sleeves and hem so that all clothing layers fall naturally, the overall styling is near completion. Cell 8: Sitting on the edge of the boudoir couch putting on the ancient style footwear from the reference image, while wearing simple accessories such as earrings already in the reference image, and completing the double-bun hairstyle. Cell 9: Complete all hairstyles, clothing, and accessories, the black double-bun hairstyle is complete, the red-orange main long skirt, beige-brown translucent outer coat, waist decorations, footwear, and all accessories are all finished; standing naturally in front of an ancient bronze mirror, presenting the complete final look from the input reference image. Each cell strictly inherits all completed clothing from the previous cell, only adding or completing one clear step; the clothing state accumulates cell by cell and must not disappear, be replaced, change color, be redesigned, or change style. Cell 1 must maintain the state of traditional ancient inner garments, and Cell 9 must be highly consistent with the complete clothing in the reference image. The hairstyle is also completed step by step, with Cell 1 keeping naturally draped hair, and the double-bun hairstyle from the reference image being gradually completed from Cell 8 to Cell 9. The background is a real ancient woman's boudoir with a sense of ancient life; wooden lattice windows, plain gauze curtains, ancient wooden clothing racks, dressing tables, bronze mirrors, clothing boxes, low couches, wooden screens, a few scrolls, and flower branches; the space is elegant, warm, and restrained, without piling up palace-style decorations, and no modern furniture or modern objects appear. The overall environment is mainly warm beige, light wood, and dark red-orange, naturally coordinated with the reference clothing. Natural window light enters the room, soft and real light and shadow, professional ancient style portrait photography, high-end fashion Editorial visual quality; real natural skin texture, real hair strands, real fabric folds and sense of weight, translucent outer clothing has a natural light-transmitting effect, embroidery, fabric texture, waist metal decorations, and clothing layers are clearly visible; the whole has a real photographic quality, avoiding obvious CG character setting diagram effects. The nine-grid maintains a unified photography system and spatial continuity; character facial features, hairstyle, body type, clothing design, colors, materials, boudoir structure, and light direction remain highly consistent; character poses change naturally according to real dressing behaviors, allowing actions such as standing, turning, tidying clothes, sitting on the edge of the couch, looking in the mirror, etc., but each cell must have a clear change in dressing state. Signature at the bottom left “● DeepBlue”; “●” is a pure #0B3D91 dark blue solid dot, “DeepBlue” is a natural, delicate white handwritten font. Must not appear: modern bras, modern triangular panties, modern underwear sets, modern lace underwear, modern underwear shoulder strap structures, modern underwear cuts, modern clothing, modern furniture, modern objects, modern makeup/styling, different characters, different hair colors, modern hairstyles, Xianxia clothing, Song-style clothing, clothing suddenly disappearing, clothing suddenly increasing, clothing color changes, clothing style changes, hairstyle suddenly changing, scene jumps, reference image six-view layout, character setting boards, white studio backgrounds, repeated steps, extra characters, text, numbers, titles, watermarks, or brand logos.

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